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Schar

16 Styles

  • ExtraLight
  • ExtraLight Italic
  • Light
  • Light Italic
  • Book
  • Book Italic
  • Regular
  • Regular Italic
  • Medium
  • Medium Italic
  • Bold
  • Bold Italic
  • ExtraBold
  • ExtraBold Italic
  • Black
  • Black Italic
Download Free Test FontsDownload PDF Specimen
Size
Humanisation
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Interpretation
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Communication
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Aerodynamics
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LITERATURE— 2001: a Space Odyssey Arthur C Clarke, 1968
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“To win without risk is triumph without glory.” — Ayrton Senna
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“Back in the U.S.S.R.” is a song by the English rock band the Beatles. It is the opening track on their 1968 double album, The Beatles (also known as the “White Album”). Written by Paul McCartney and credited to the Lennon–McCartney partnership the song is a parody of Chuck Berry's “Back in the U.S.A.” and the Beach Boys’ “California Girls”. The lyrics subvert Berry's patriotic sentiments about the United States, as the narrator expresses relief upon returning home to the Soviet Union (officially named Union of Soviet Socialist Republics – USSR).
Size
“Back in the U.S.S.R.” is a song by the English rock band the Beatles. It is the opening track on their 1968 double album, The Beatles (also known as the “White Album”). Written by Paul McCartney and credited to the Lennon–McCartney partnership the song is a parody of Chuck Berry's “Back in the U.S.A.” and the Beach Boys’ “California Girls”. The lyrics subvert Berry's patriotic sentiments about the United States, as the narrator expresses relief upon returning home to the Soviet Union (officially named Union of Soviet Socialist Republics – USSR).
Size
N2N²M₂NAN¾!NckN↑N32×£2‰№N1Ẳếẞü
A
Baseline0
Cap height700
x-Height493
Ascender1224
Descender-392
Font styleGlyph nameAUnicode decimal65Unicode hex0041
Basic Latin
!
"
#
$
%
&
'
(
)
*
+
,
-
.
/
0
1
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9
:
;
<
=
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@
A
B
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E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
[
\
]
^
_
`
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
{
|
}
~
Latin-1 Supplement
 
¡
¢
£
¥
¦
§
¨
©
ª
«
­
®
¯
°
±
²
³
´
¶
·
¸
¹
º
»
¼
½
¾
¿
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ð
Ñ
Ò
Ó
Ô
Õ
Ö
×
Ø
Ù
Ú
Û
Ü
Ý
Þ
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ð
ñ
ò
ó
ô
õ
ö
÷
ø
ù
ú
û
ü
ý
þ
ÿ
Latin Extended-A
Ā
ā
Ă
ă
Ą
ą
Ć
ć
Ĉ
ĉ
Ċ
ċ
Č
č
Ď
ď
Đ
đ
Ē
ē
Ĕ
ĕ
Ė
ė
Ę
ę
Ě
ě
Ĝ
ĝ
Ğ
ğ
Ġ
ġ
Ģ
ģ
Ĥ
ĥ
Ħ
ħ
Ĩ
ĩ
Ī
ī
Į
į
İ
ı
IJ
ij
Ĵ
ĵ
Ķ
ķ
Ĺ
ĺ
Ļ
ļ
Ľ
ľ
Ŀ
ŀ
Ł
ł
Ń
ń
Ņ
ņ
Ň
ň
Ŋ
ŋ
Ō
ō
Ŏ
ŏ
Ő
ő
Œ
œ
Ŕ
ŕ
Ŗ
ŗ
Ř
ř
Ś
ś
Ŝ
ŝ
Ş
ş
Š
š
Ţ
ţ
Ť
ť
Ŧ
ŧ
Ũ
ũ
Ū
ū
Ŭ
ŭ
Ů
ů
Ű
ű
Ų
ų
Ŵ
ŵ
Ŷ
ŷ
Ÿ
Ź
ź
Ż
ż
Ž
ž
Latin Extended-B
ƒ
Ơ
ơ
Ư
ư
Ș
ș
Ț
ț
ȷ
Spacing Modifier Letters
‌ʼ
‌ˆ
‌ˇ
‌˘
‌˙
‌˚
‌˛
‌˜
‌˝
Combining Diacritical Marks
‌̀
‌́
‌̂
‌̃
‌̄
‌̆
‌̇
‌̈
‌̉
‌̊
‌̋
‌̌
‌̒
‌̛
‌̣
‌̦
‌̧
‌̨
‌̭
‌̱
‌̵
‌̶
‌̷
‌̸
Latin Extended Additional
Ḡ
ḡ
Ẁ
ẁ
Ẃ
ẃ
Ẅ
ẅ
ẞ
Ạ
ạ
Ả
ả
Ấ
ấ
Ầ
ầ
Ẩ
ẩ
Ẫ
ẫ
Ậ
ậ
Ắ
ắ
Ằ
ằ
Ẳ
ẳ
Ẵ
ẵ
Ặ
ặ
Ẹ
ẹ
Ẻ
ẻ
Ẽ
ẽ
Ế
ế
Ề
ề
Ể
ể
Ễ
ễ
Ệ
ệ
Ỉ
ỉ
Ị
ị
Ọ
ọ
Ỏ
ỏ
Ố
ố
Ồ
ồ
Ổ
ổ
Ỗ
ỗ
Ộ
ộ
Ớ
ớ
Ờ
ờ
Ở
ở
Ỡ
ỡ
Ợ
ợ
Ụ
ụ
Ủ
ủ
Ứ
ứ
Ừ
ừ
Ử
ử
Ữ
ữ
Ự
ự
Ỳ
ỳ
Ỵ
ỵ
Ỷ
ỷ
Ỹ
ỹ
General Punctuation
–
—
‘
’
‚
“
”
„
†
‡
•
…
‰
‹
›
⁄
Superscripts and Subscripts
⁰
⁴
⁵
⁶
⁷
⁸
⁹
₀
₁
₂
₃
₄
₅
₆
₇
₈
₉
Currency Symbols
€
₹
₺
₽
Letterlike Symbols
℁
№
℗
™
℮
Number Forms
⅐
⅑
⅒
⅓
⅔
⅕
⅖
⅗
⅘
⅙
⅚
⅛
⅜
⅝
⅞
Arrows
←
↑
→
↓
↔
↕
↖
↗
↘
↙
Mathematical Operators
−
≈
≠
≤
≥
Case-Sensitive Forms
0
1
2
3
4
5
6
7
8
9
¡
¿
-
–
—
(
)
{
}
[
]
«
»
‹
›
Denominators
0
1
2
3
4
5
6
7
8
9
Discretionary Ligatures
cb
ch
ck
ct
ffb
ffh
ffj
ffk
fft
fb
fh
fj
fk
ft
sb
sh
sk
sp
st
Fractions
/
0
1
2
3
4
5
6
7
8
9
Glyph Composition / Decomposition
‌̂̀
‌̂́
‌̂̃
‌̂̉
‌̆̀
‌̆́
‌̆̃
‌̆̉
Lowercase a
a
á
ă
ắ
ặ
ằ
ẳ
ẵ
â
ấ
ậ
ầ
ẩ
ẫ
ä
ạ
à
ả
ā
ą
å
ã
Lowercase e
e
é
ĕ
ě
ê
ế
ệ
ề
ể
ễ
ë
ė
ẹ
è
ẻ
ē
ę
ẽ
Lowercase g
g
ğ
ĝ
ģ
ġ
ḡ
Lowercase l
l
ĺ
ľ
ļ
ŀ
ł
Lowercase y
y
ý
ŷ
ÿ
ỵ
ỳ
ỷ
ỹ
Number Black Circled
0
1
2
3
4
5
6
7
8
9
Number Circled
0
1
2
3
4
5
6
7
8
9
Numerators
0
1
2
3
4
5
6
7
8
9
Oldstyle Figures
0
1
2
3
4
5
6
7
8
9
Ordinals
No.
Scientific Inferiors
0
1
2
3
4
5
6
7
8
9
Small Capitals
a
á
ă
ắ
ặ
ằ
ẳ
ẵ
â
ấ
ậ
ầ
ẩ
ẫ
ä
ạ
à
ả
ā
ą
å
ã
æ
b
c
ć
č
ç
ĉ
ċ
d
ď
đ
ð
e
é
ĕ
ě
ê
ế
ệ
ề
ể
ễ
ë
ė
ẹ
è
ẻ
ē
ę
ẽ
f
g
ğ
ĝ
ģ
ġ
ḡ
h
ħ
ĥ
i
ı
í
î
ï
ị
ì
ỉ
ī
į
ĩ
ij
j
ȷ
ĵ
k
ķ
l
ĺ
ľ
ļ
ŀ
ł
m
n
ń
ň
ņ
ñ
ŋ
o
ó
ŏ
ô
ố
ộ
ồ
ổ
ỗ
ö
ọ
ò
ỏ
ơ
ớ
ợ
ờ
ở
ỡ
ő
ō
ø
õ
œ
p
þ
q
r
ŕ
ř
ŗ
s
ś
š
ş
ŝ
ș
ß
t
ŧ
ť
ţ
ț
u
ú
ŭ
û
ü
ụ
ù
ủ
ư
ứ
ự
ừ
ử
ữ
ű
ū
ų
ů
ũ
v
w
ẃ
ŵ
ẅ
ẁ
x
y
ý
ŷ
ÿ
ỵ
ỳ
ỷ
ỹ
z
ź
ž
ż
0
1
2
3
4
5
6
7
8
9
‌̈
‌̇
‌̀
‌́
‌̋
‌̂
‌̌
‌̆
‌̊
‌̃
‌̄
‌̉
‌̒
‌̛
¨
‌˙
`
´
‌˝
‌ˆ
‌ˇ
‌˘
‌˚
‌˜
¯
Small Capitals From Capitals
A
Á
Ă
Ắ
Ặ
Ằ
Ẳ
Ẵ
Â
Ấ
Ậ
Ầ
Ẩ
Ẫ
Ä
Ạ
À
Ả
Ā
Ą
Å
Ã
Æ
B
C
Ć
Č
Ç
Ĉ
Ċ
D
Ď
Đ
Ð
E
É
Ĕ
Ě
Ê
Ế
Ệ
Ề
Ể
Ễ
Ë
Ė
Ẹ
È
Ẻ
Ē
Ę
Ẽ
F
G
Ğ
Ĝ
Ģ
Ġ
Ḡ
H
Ħ
Ĥ
I
IJ
Í
Î
Ï
İ
Ị
Ì
Ỉ
Ī
Į
Ĩ
J
Ĵ
K
Ķ
L
Ĺ
Ľ
Ļ
Ŀ
Ł
M
N
Ń
Ň
Ņ
Ñ
Ŋ
O
Ó
Ŏ
Ô
Ố
Ộ
Ồ
Ổ
Ỗ
Ö
Ọ
Ò
Ỏ
Ơ
Ớ
Ợ
Ờ
Ở
Ỡ
Ő
Ō
Ø
Õ
Œ
P
Þ
Q
R
Ŕ
Ř
Ŗ
S
Ś
Š
Ş
Ŝ
Ș
ẞ
T
Ŧ
Ť
Ţ
Ț
U
Ú
Ŭ
Û
Ü
Ụ
Ù
Ủ
Ư
Ứ
Ự
Ừ
Ử
Ữ
Ű
Ū
Ų
Ů
Ũ
V
W
Ẃ
Ŵ
Ẅ
Ẁ
X
Y
Ý
Ŷ
Ÿ
Ỵ
Ỳ
Ỷ
Ỹ
Z
Ź
Ž
Ż
0
1
2
3
4
5
6
7
8
9
‌̈
‌̇
‌̀
‌́
‌̋
‌̂
‌̌
‌̆
‌̊
‌̃
‌̄
‌̉
‌̒
‌̛
¨
‌˙
`
´
‌˝
‌ˆ
‌ˇ
‌˘
‌˚
‌˜
¯
Standard Ligatures
ffi
ffl
ff
fi
fl
Subscript
0
1
2
3
4
5
6
7
8
9
Superscript
0
1
2
3
4
5
6
7
8
9
Tabular Figures
0
1
2
3
4
5
6
7
8
9
Schar
Information

Schar 2.0 is a humanist sans serif designed with the balance and rhythm of a serif, but stripped back for a modern, versatile feel. Its angled axis and refined curves give the typeface a fluid, dynamic personality, while improved spacing and clarity make it easy to read in both print and digital settings. Built for professional use, it works equally well in branding, editorial design, and interface projects where legibility and distinction matter.

The family includes eight weights with true italics and over 1,000 characters. Practical details include alternative letters for a, e, g, y, and l, thirteen number styles from tabular to circled, true small caps with accents, ligatures, and an extensive set of OpenType features. Designed to handle complex typographic needs straight out of the box, Schar 2.0 offers both clarity and character in equal measure.

Please contact us if you require any assistance. info@thenorthernblock.co.uk

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